The story is told using a mixture of the art and the writing, often using the writing to delve into some character backstory and history of events – the pacing is slow and allows the world to become ingrained before we learn more about the narrator and the kind of events that have lead to this point. Indeed, there is some satisfaction in the scarcity of revelation; little nuggets we are given which we are able to mesh with revelations further on. It’s not a long read so there’s no trouble remembering important little elements, and a second read through might be worth it to pick up on anything you may have missed.
The writing itself was four out of five because of some inconsistencies over style, sometimes verging into stream of consciousness without punctuation, when really the slow, meandering style it had been using, and which was sometimes elegant, would have sufficed. It could have done with another editor too as it should have been tighter, often losing impact because of a passive voice.
Overall though, it leaves you wanting more, which is always a good sign.
