To say I love Simon's art is an understatement, so this book could have
been all pictures and still attained 5 stars. Behind the art however is a
story: it is a roadtrip across an alternative version of USA in the
90s, one filled with a mixture of analogue and digital and a curious
array of science-fiction artefacts left to rust and decay after an
apparent 'event'. Or are they?
The story is told using a mixture
of the art and the writing, often using the writing to delve into some
character backstory and history of events – the pacing is slow and
allows the world to become ingrained before we learn more about the
narrator and the kind of events that have lead to this point. Indeed,
there is some satisfaction in the scarcity of revelation; little nuggets
we are given which we are able to mesh with revelations further on.
It’s not a long read so there’s no trouble remembering important little
elements, and a second read through might be worth it to pick up on
anything you may have missed.
The writing itself was four out of
five because of some inconsistencies over style, sometimes verging into
stream of consciousness without punctuation, when really the slow,
meandering style it had been using, and which was sometimes elegant,
would have sufficed. It could have done with another editor too as it
should have been tighter, often losing impact because of a passive
voice.
Overall though, it leaves you wanting more, which is always a good sign.
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